The presets on offer are of predictably high quality (Rob Papen made his name as a sound designer, after all) and, with their depth and power, could easily be put to use in not only the hip-hop and RnB genres that the developer cites, but also many electronic dance music styles. If all of that sounds too intense, you can engage the Easy Edit mode, which reduces the number of controls and is useful for fast tweaking.
Phoscyon review plus#
Also onboard are a step sequencer and Free Modulation section (only one of these can be on display at any given time), plus an effects unit. Other features include a distortion stage, two filters of differing specifications and an amplifier section. The two oscillators share 16 of the same analogue-modelled waveforms, but here you also get 39 additional waveforms that are derived from pitched-down samples of various instruments. In terms of design, there are actually some similarities between SubBoomBass and Predator, another Papen production. Rob Papen has put his name to plenty of great synths - the sadly discontinued Albino 3, a co-production with LinPlug, was a particular favourite among electronic music producers - but while many of them are designed to be quite versatile, SubBoomBass, as its name suggests, is aimed very much at the low end. PC/Mac, VST/AU, £75 Rob Papen SubBoomBass NEXT: Rob Papen SubBoomBass Prev of 13 Next Prev of 13 Next Once you’ve done that, the good news is that there will almost certainly be a bass package out there that meets your requirements. As a user, the trick, as always, is to work out exactly what kind of sounds and editing features it is that you’re looking for.
Phoscyon review software#
In this round-up of bass-orientated software we’re going to be covering instruments that are powered by both synth- and sample-based engines, and there are also products that combine the two to create all-encompassing bass solutions. For example, most offer a variety of performance articulations that make it possible for you to create basslines that sound like they’ve been played by an actual human being.
Again, you might very well already own a sampler with patches that cover these, but a focused bass instrument has the potential to offer a greater level of realism.
"There are a lot of excellent ‘all-rounder’ synths out there that are ideally suited to producing bludgeoning bass tones - but sometimes it’s useful to be able to call on a dedicated tool for the job."Īnd then there are electric and acoustic basses - ‘real instruments’, in other words. Not only can this deliver a slightly different kind of sound, but it might also offer some bass-specific features that will give you a more enjoyable editing and mixing experience. “I’ve got plenty that ‘do bass’ perfectly well already.” That may indeed be true - there are a lot of excellent ‘all-rounder’ synths out there that are ideally suited to producing bludgeoning bass tones - but sometimes it’s useful to be able to call on a dedicated tool for the job. “But why do I need a dedicated bass plugin at all?”, we hear you ask.
Phoscyon review skin#
However, there’s more than one way to skin a low-frequency cat and, accordingly, developers have taken different approaches to creating bass instruments, resulting in a surprisingly varied market. There’s barely an instrument on the planet that hasn’t been emulated in software by now, so it should come as no great surprise to learn that bass-specific VST and AU plugins are plentiful.